They are visions that come from within me, persist, push and push, until I find the appropriate support mostly made of vintage materials, ranging from Japanese textiles to US military canvases, linen, embroideries, papers, all sewn together, until the background plot is ready to act as a negative space for my subjects. I believe I need to talk about my profound intimacies without actually revealing them, or rather, what I would like to reveal with my paintings is the mystery of intimacy, in this case “exploiting” the universal energetic feminine channel that is part of each one of us regardless our gender.